Abstract
Illustrations Acknowledgments Introduction: The Un-Americanness of Film Noir 1. Gestapo in America (Confessions of a Nazi Spy and Stranger on the Third Floor) 2. White-Collar Murder (Double Indemnity) 3. Cuba, Gangsters, Vets, and Other Outcasts of the Islands (The Chase and Key Largo) 4. North from Mexico (Border Incident, Hold Back the Dawn, Secret Beyond the Door, and Out of the Past) 5. Bad Boy Patriots (This Gun for Hire, Ride the Pink Horse, Pickup on South Street) Postscript: Darkness Visible Notes Bibliography Index
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