Abstract

This paper surveys the implications of Daniel Stern's new book on ‘The Present Moment’, in conjunction with a parallel collection of Gestalt Therapy papers on creativity. I consider how Stern both demarcates himself from, and places himself in a subtle relationship with, classical psychoanalysis, whilst at the same time mapping a model of implicit intersubjective knowledge of ‘the present moment’, in psychotherapy, which gives him strong affinities with approaches in the humanistic – existential tradition—affinities he courageously owns in this book. I further suggest, drawing from both literature and the work of Julian Jaynes, that some of the oppositions he invokes in this book are, as such, still within the classical psychoanalytic tradition and way of thinking, that he simply has inverted them, and that, on a wider, societal and historical view of human reality, it is possible to achieve a comprehensive concept of ‘being-in-the-world’ (Heidegger), for which the psychoanalysis/existential approach antithesis collapses, and which, nevertheless is still psychodynamic in the fundamental sense. Stern's work is a major pioneering work in its own right.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.