Abstract
El presente trabajo pretende llevar a cabo un estudio del programa iconográfico realizado por el pintor lorquino Pedro Camacho Felizes de Alisén para la casa-palacio de los Guevara, situado en la ciudad de Lorca, para su sala del estrado; una veintena de lienzos de temática devocional, virtuosa y eminentemente femenina para un lugar de la vivienda reservado a la vida de las mujeres, cuyo análisis puede arrojar luz a la hora de comprender cómo era la educación de las nobles doncellas y lasvirtudes que debían encarnar en los albores del siglo XVIII en España. The present work tries to carry out a study of the iconographical program depicted by Pedro Camacho Felizes de Alisén in the Guevara's palace, located in the city of Lorca, for its 'sala del estrado'; the analysis of twenty devotional, virtuous and with eminently feminine themes canvases, placed in a room reserved for women's daily lives, can shed light on the understanding of noble maiden’s education and the virtues that they were to incarnate at the dawn of the eighteenth century in Spain.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
