Abstract

The destruction of the West Flemish city of Ypres, Belgium, caused by the violent battles of the First World War, sparked an intense debate on urban reconstruction strategies. The disruptive consequences forced the government to provide a rapid, large-scale response while choosing between preserving the past or ambitiously embracing the future, thus following the main discourses among urban planners of that time. Beyond this emergency phase, however, more in-depth questioning about national identity and people’s sense of place arose, which translated into embraced or rejected architectural styles and urban planning proposals. The interplay between remembering and forgetting exhibited divergent urban planning proposals, which made the decision on how to rebuild the city difficult, delaying the reconstruction process. Since opinions on what to remember rely on people’s personal sense of remembrance, the spatial translation of how to remember requires a multi-layered approach where spaces for memory, such as memorials, cemeteries and monuments, and memories of places that relate to experiences in the everyday life of the residents, intertwine. When the spatial translation of these spaces for memory and places to which individual memories are attached is unbalanced, it might counteract the residents’ recovery while hindering the restoration of their broken journeys. This article elaborates on how this spatial translation proceeded within the reconstruction of Ypres, known as ‘the city of peace’, where the war memory became part of the identity of the place, which up until today attracts many international war tourists.

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