Abstract
Miss Julie (Froken Julie) is one of August Strindberg's most popular and well-known plays. Today, almost 120 years after its first appearance, what Strindberg called the "first naturalistic tragedy in Swedish drama" is stili being staged worldwide, with Slovenia being no exception. This article examines the critical response to Miss Julie staged in Slovene professional theatres from its first ap pearance in 1921 to its !atest in 2008. It aims to establish to what extent critics' attitude towards the play and the author have changed over a time span of ninety years.
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