Abstract
Resisters is an oppositional essay film, located in Berlin and addressed to Rosa Luxemburg, the Marxist Revolutionary who was assassinated in Berlin in 1919. The key analytic approaches are located within the framework of film studies, trauma and memory studies, autobiography and theories of place, space and spectatorship. The use of hybrid cinematic strategies of critical realism and poetic re-imagining, brings the force of memory and history into the present to encourage reflection and resistance and enables the circumvention of extensive use of archive footage and exposition.
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