Abstract
This paper is ground by the presence of novel Pararaton as a new form of text Pararaton. The problem in this paper is how the Pararaton text is perceived into a novel form. This paper aims to explain the novel differences with the classic Pararaton texts and to show an inversion in the form of a novel that is adapted according to the horizon of today's readers' expectations. To address this problem, this paper uses Hans Robert Jauss' reception theory and phenomenology methods. This paper shows some analysis results. First, the novel Pararaton shows richer with narrative detailing than the Pararaton text. Secondly, Novel Pararaton also shows the creation of the depiction of Ken Arok, Ken Dedes, and Tunggul Ametung. The creations relate to the expectations horizon of today's society. Third, Pararaton's novel as a reflection of Pararatonic classical texts, figures or characterizations, story settings, and grooves. Fourth, the novel Pararaton presented with a full ethical narrative in describing the characters Tunggul Ametung and Ken Arok.Key word: novel Pararaton, reception, the expectation horizon, inversion
Highlights
This paper aims to explain the novel differences with the classic Pararaton texts and to show an inversion in the form of a novel that is adapted according to the horizon of today's readers' expectations
This paper shows some analysis results
Nama-nama tokoh dalam novel Pararaton sama dengan nama tokoh dalam Serat Pararaton mulai dari nama orang tua Ken Arok, nama-nama orang yang pernah menjadikannya anak, nama-nama orang yang menolongnya, nama-nama orang yang menjadi gurunya, nama-nama tempat yang ia kunjungi, nama-nama pristiwa yang dialaminya, juga nama-nama gelar yang melekat padanya dan tokoh-tokoh yang lain
Summary
Hal itulah yang akan dilihat dalam karya yang muncul belakangan seperti novel Pararaton, bagaimana ia dihadirkan pada masa kini? Dewi melihat trasformasi teks Pararaton ke dalam novel Arok Dedes karya Pramoedya Ananta Toer. Transformasi teks Pararaton ke dalam novel Arok Dedes karya Pramoedya merupakan bentuk resepsi Pramoedya terhadap serat Pararaton. Resepsi itu ditunjukkan pada aspek tokoh yang disesuaikan dengan semanagat zaman atau horizon harapan pembaca masa kini.
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