Research on the Memorial Space Design Methods Based on the Perspective of Cinematic Architecture: Focusing on French Nouvelle Vague

Abstract

This study investigates the design of French Nouvelle Vague films converted into monumental spaces based on the theory of cinematic architecture. The purpose of the study is to further develop the design method of converting the film into monumental space by exploring the correlation between film and monumental space and to prove the feasibility of the design method of converting the film into monumental space through the virtual design of the French Nouvelle Vague Memorial Museum. The object of the study is the French Nouvelle Vague film and monumental space. The content and scope of the study are to analyze the background of cinematic architecture, the correlation between film and monumental space in terms of architecture, and to propose the method of converting film into monumental space. The research method is the literature method and film observation and analysis method, through the observation and analysis of literature and classic films, to summarize the narrative techniques of French Nouvelle Vague film art and the characteristics of the French Nouvelle Vague. The significance of the research is to explore the new forms and connotations of monumental space to convey the idea of monumental space more intuitively to the users of the space and to give more social significance to the architecture with the cultural significance of the film.