Abstract
The adaptation of domestic animation films to classic IP has become a trend, and the film adaptation has made great achievements by virtue of its original works and a considerable number of fans, such as “NE ZHA” and “Monkey King: Hero is Back” which are two representative films. These kind of films adapt the original works to a great extent, and have a strong value of innovation in the times. Their subversive adaptation not only contains a new interpretation of the IP meaning of the classic animation in contemporary film thinking, but also provides a summative thinking on the law of IP adaptation. This article takes “NE ZHA” and “Monkey King: Hero is Back” two works as examples, and discusses them from three aspects: the characters, the use of language and the theme of the story.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
