Abstract

This article looks for some cultural elements from the collection of exquisite cultural relics to inherit and carry forward the spirit and culture expressed in the historical society. The cultural creative products designed in this paper are divided into stone carving series, tile series, bronze series and others. Each cultural and creative product has a text introduction, according to the existing modeling characteristics of cultural relics, the paper try to use the scene in the life practice. These measures are not only a form of development, but also inherit the history behind the collection of cultural relics.

Highlights

  • Cultural and creative industry is a new industry with creativity in the context of economic globalization

  • The so-called "living up" is to let the cultural value of cultural heritage enter the hearts of the people

  • In the Northern Wei Dynasty, the mud eaves tiles were used as building components

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Summary

Introduction

Cultural and creative industry is a new industry with creativity in the context of economic globalization. Both in the developed and emerging market economies are becoming the strategic assets of the national and regional economies.According to the research report, in 2013, the total income of the global cultural and creative industries totaled 22500 billion US dollars, accounting for 3% in the total GDP in the world It has created 27900 thousand jobs for all countries in the world, which account for 1% in the world's total employment population, higher than the total of the European, Japanese and American auto makers (25 million).On the morning of March 13, 2016, Luo Shugang, Minister of culture, introduced the general idea of cultural construction in the "13th Five-Year" period to the media at the ministerial passage of the Great Hall of the people. Our country's idea of the museum as a national cultural strategy has greatly encouraged us, and this has further strengthened our research direction

The study of stone sculptures
Eaves tile
Other: Glazed Camel
Conclusion
Li Xiaosha and Wang Peilei
Full Text
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