Abstract

Julian Steward believes that environment and culture cannot be separated. Traditional folk dance is the reproduction of life, the expression of thoughts and emotions of ethnic groups, and has the attribute of national identity. In the process of urbanization evolution of Northeast Yangko Dance, it contains ethnic migration and cultural belonging. The participation and emphasis of Northeast Yangko Dance in folk affects the development of sub-ecological folk dance and stage art folk dance. This study uses the research methods of survey and interview, combined with the theory of dance ecology, to study the folk ecological status quo of Northeast Yangko Dance in Heilongjiang Province, and analyzes the status quo of urban square dance, middle-aged and elderly dance troupes, university dance clubs and activities. Through research, the main reasons that restrict the development of the Northeast Yangko Dance include: the traditional Northeast Yangko Dance costumes are rustic, the music is not fashionable, the dance movements are difficult to learn, there are few plays that can be learned, the lack of director, the lack of watching ways, the outdated style, and the lack of attention from schools and students. The study shows that the dance ecology of Northeast Yangko is not optimistic.

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