Abstract
Since the beginning of the 20th century, Chinese opera has taken the road of imaging, and there have been many opera video works. With the advent of the technology and information age, the image shooting means, and lens language are constantly enriched, and the traditional opera art is constantly trying to explore its own development path in new forms. While lamenting the great convenience brought by the image shooting, the contradiction between the lens language and the “presence” of the opera is ignored by people. This paper will combine the analysis and discuss the gains and losses of opera film compared with the performance of stage performance from the perspective of “presence”, and put forward thoughts on the survival and development of opera in the era of new media.
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