Abstract
This essay examines the representation of gay men on American television programs from the late 1960s to the present. It explores the impact of the process of media representation on the lived realities of gay males past and present, revealing not only how much progress has been made in recent decades regarding the representation of gay men on American television, but also how much progress has yet to be made. Such representations are examined briefly in the context of numerous television shows (including 21 Jump Street; All My Children; Dawson's Creek; Leg Work; Marcus Welby, M.D.; and Will & Grace) and more extensively with regard to three popular Fox prime-time series ( Beverly Hills, 90210; Melrose Place; and Party of Five).
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