Abstract
In this article I engage with the un- and re-making of monuments in the context of the globalization and mediatization of Black Lives Matter and anti-racist activism. I analyze in particular two examples that display transcultural negotiations of antiracism against the background of different colonial histories: The induction of Josephine Baker to the French Pantheon in November 2021, which opens the space of a key monument of French heritage to a black woman for the first time. The defacing of the statue of the Italian journalist and prominent intellectual Indro Montanelli in Milan in June 2020. The analysis emphasizes, on the one hand, the fluidity characterizing the transnational circulation of language, media and spatial practices. On the other, it points to multiple asymmetries deriving from the globalization and the transculturalization of communication. In order to take both aspects into account, I use a border perspective, and expand the category of ‘monument’ to include processes of un- and re-making heritages. In particular, I de-border the concept of language and crisscross the borders between discursive spaces and material spaces of representation. The article contributes to diversify postcolonial theory by showing that labels such as ‘European’ (post)coloniality or ‘global’ anti-racism are far too reductive with respect to the diversity of colonial histories and postcolonial realities. Accordingly, it pleads for putting transculturality at the core of decolonial struggles within and outside academia.
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