Abstract

Luis Martín Santos' Tiempo de silencio displays a peculiar vulnerability to commentary. The novel both invites interpretation and “thematizes” the invitation. In this essay I offer a reading of the novel that explores—and exploits—such vulnerability. More concretely, I offer a reading anchored in two related notions, repetition and excess, for in and through them the work discloses its hermeneutic complexity. Accordingly my discussion moves from substances to events; it moves, that is, from a consideration of how excess is embodied in certain emblematic substances (Secs. 1 and 2) to a consideration of the repetitiveness of the novel's events (Secs. 3 and 4). Such an exercise should not only shed new light on one of the most significant Spanish novels of this century but also, implicitly, raise important questions about the relationship between a commented text and its commentary.

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