Renovated: Gender and Cinema in Contemporary Vietnam

Abstract

This article discusses the changes in Vietnamese cinema from the Socialist to the contemporary period from the viewpoint of gender representation. Under socialist conditions of cultural production, films were made by state-funded studios, with a clear mandate to provide the population with film material appropriate to the state's ideals. Since Doi moi (“Renovation”) in the late 1980s, Vietnam was opened up to market forces and cinematic practices have responded. Issues of gender have come into focus, and films exploring these themes have emerged from both state studios and private investors. Nevertheless conservative social values remain strong, and gender remains an area of dynamic uncertainty.