Renaissance Body Matters: Judith Butler and the Sex That Is One

Abstract

This essay explores the impact of Judith Butler's work on the study of gender in Renaissance England. Theatre, in particular, has proved a productive site for New Historicist readers of the Renaissance in recent years. It has been argued that Renaissance theatre, and its opponents, called attention to the possibility that gender was a performative, rather than ontological state. This has been further influenced by Thomas Laqueur's formulation of the “one-sex” body. Feminist critics, however, have also pointed out other cultural sites where the reverse occurs: where gender is both naturalized and binary. Taking female witches as an example, this essay explores the possible readings opened up by Judith Butler's observations about the performativity of gender, particularly in terms of the framework for thinking about Renaissance practices of theatricality and cross-dressing, which can be drawn from Butler's Gender Trouble, and the framework, offered by her Bodies that Matter, for problematising those notions and, potentially, for negotiating the relationship between performativity and constraint in Renaissance models of gender.