Abstract
In Rembrandt’s later years he moved progressively towards emphasizing the inner emotions of his painted characters. This inner emotion is present in perhaps one of the most mysterious paintings accredited to his oeuvre, "The Polish Rider" (c.1655). The issue of Rembrandt connoisseurship has become amplified by the mysterious qualities of this monumental painting. The debate surrounding the authorship and subject matter of this work has placed western Rembrandt scholars against their Polish counterparts. Consequently, scholars have been divided into two main groups: those who subscribe to the idea that the painting is indeed of Polish influence, and those who do not. This presentation will make serious considerations as to the Polish influences found in the identity of the rider and his costume, and his horse and harness. Moreover, it will suggest that “The Polish Rider” was indeed created as a portrait of a Polish soldier which Rembrandt’s genius was able to depict with detail and sensitivity. It is the individuality of the horse and the more subtle, outward gaze of the rider which suggest that we may never know what the painting’s function was. And yet, scholars and viewers of the painting share in the mystery.
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