Abstract
Forty unfamiliar, one-minute samples of modern jazz were rated by 132 undergraduates for judged complexity, pleasingness and interestingness, in a between-subjects design. Pleasingness and interestingness were positively correlated and both were decreasing linear functions of complexity, although the correlation between interestingness and complexity was low and only marginally significant. It appears that pleasingness acts as a suppressor on the interestingness/complexity correlation: with pleasingness partialled out the correlation was positive and highly significant. Partialling had only small effects on the other correlations. Results suggest that techniques used previously to study non-musical stimuli may also be applicable to music.
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