Abstract
The aim of the paper is to reflect on the intersection of two relevant phenomena that unfolded in recent decades in all the most industrialized countries and economies—from the United States to Europe and Japan—as the shrinkage of vast urban and rural areas and the increasing role of culture as a driver for economic growth and social development. The attention is focused on the role of art as one of the main engines of territorial regeneration. Three case studies—Verzegnis in Italy, the Seto Islands in Japan, Marfa in the United States—have been selected to open a reflection on the relation between culture, art and regeneration on a global scale. To measure these effects, the research intertwined field explorations, access to primary and secondary texts, an original mapping of the sites and a series of targeted interviews through an extensive questionnaire. The research addresses the role played by art and culture both in the reuse of abandoned buildings and spaces and in the activation, involvement and self-empowerment of the inhabitants. The aim is not the definition of an immediately generalizable model but to reach the first synthesis, identifying general characters and opening future research paths that engage with the theoretical and practical implementation of politics related to heritage, culture and innovative regeneration processes.
Highlights
Marta Dell’OvoAt the turn of the millennium, culture and art, in particular, assumed an unprecedented role and global significance, to the point that it became a primary means for addressing a wide range of political, economic and social issues [1]
Philipp Oswalt, in the introduction to the second volume of the Shrinking Cities publication titled “Interventions”, stated with a tone between humor and bitterness that “When no one knows what to do, they invite artists” [2] (p. 13). Following this line of reasoning, the aim of this paper is to reflect on the intersection of two relevant phenomena that unfolded in recent decades in all the most industrialized countries and economies, from the United States to Europe and Japan
Since the beginning of the century institutions and organizations, such as the Organisation for Economic Co-operation (OECD), and development increasingly recognized the employment of cultural resources as a multiplier for regeneration processes at the local and regional scale
Summary
At the turn of the millennium, culture and art, in particular, assumed an unprecedented role and global significance, to the point that it became a primary means for addressing a wide range of political, economic and social issues [1]. The second is the increasing belief or myth, as certain scholars suggest [3], in the role of culture as a driver for urban economic growth and social development in a global rush in which cities seek to strengthen their competitive position, regenerate their urban fabric and diversify their economy. Since the beginning of the century institutions and organizations, such as the Organisation for Economic Co-operation (OECD), and development increasingly recognized the employment of cultural resources as a multiplier for regeneration processes at the local and regional scale
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