Abstract
ABSTRACT This article considers the novelistic production of Yucatec Maya writer Marisol Ceh Moo and her process of authorial construction as a decolonizing Indigenous cultural intervention. By analyzing the content and impact of her novel X-Teya, u puksi’ik’al ko’olel/Teya, un corazón de mujer (Teya, a Woman’s Heart, 2009), this article elucidates how the adoption of a modern literary genre such as the novel and Indigenous authorial formation create a specific locus of enunciation that aligns with the resistance to cultural coloniality embedded in the heterogeneous Abiayala movement. Moreover, this research reveals the need to rethink the analytical categories that are part of the author theory when it comes to the study of contemporary Indigenous literatures in Latin America.
Published Version
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