Reform or Revolution? Socialism from China to Asian Communities

Abstract

“This article examines socialist ideologies in Asian American literature by comparing Karen Tei Yamashita's I-Hoteland H.T. Tsiang's And China Has Hands. Despite both novels centering on Chinese American experiences in the 20th century, they offer differing perspectives on socialism influenced by the authors' backgrounds and historical contexts. Tsiang's work, set in 1930s New York, portrays socialism as an experimental pursuit for Chinese revolutionaries amidst the clash between socialism and nationalism. Conversely, Yamashita's I-Hotel, set in 1960s and 1970s San Francisco, depicts Asian American characters influenced by Maoist socialist ideology, tempered by disillusionment with the Cultural Revolution. Through close analysis, the article examines how each author navigates characters' attitudes towards socialism. In I-Hotel, Yamashita critiques the Cultural Revolution's suppression of art and literature, exposing Maoist authoritarianism. Meanwhile, Tsiang's optimism towards socialism is reflected in characters like Fellow, expressing a longing for reform and unity within the proletariat. Both authors' personal experiences and historical contexts shape their narratives. Tsiang's immersion in New York City's political landscape during the early 20th century informs his advocacy for socialist reform. Similarly, Yamashita's upbringing in a Japanese American family during World War II informs her critique of authoritarianism and advocacy for equitable socialism. In conclusion, this comparative analysis highlights diverse interpretations of socialism in Asian American literature, emphasizing the interplay between personal experiences, historical contexts, and ideological frameworks. Through their narratives, Yamashita and Tsiang offer reflections on the potentials and pitfalls of socialist ideologies, urging readers to engage critically with questions of revolution and social justice.”