Abstract
Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fifties, abstraction- as innovative mediums to represent the environment of violence, in a century characterized by the revolution, subversion and general discomfort in the country
Highlights
La cordillera del Himalaya -residencia de dioses- ha sido considerada desde antaño un lugar caracterizado por su espiritualidad y pacíficas gentes
typical of the West arrived in Nepal through India
the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave
Summary
La cordillera del Himalaya -residencia de dioses- ha sido considerada desde antaño un lugar caracterizado por su espiritualidad y pacíficas gentes. Debido a su situación geográfica, Nepal es el país que más territorio de dicha cordillera abarca; por lo que tanto sus costumbres diarias, como la manera en que su sociedad se construye en REFLEJOS DE VIOLENCIA Y POLÍTICA INTERNACIONAL EN LA PINTURA ABSTRACTA CONTEMPORÁNEA DE NEPAL
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