Abstract
ABSTRACT: Elizabeth Gaskell’s protagonists are often categorized as redundant, particularly spinsters and widows. Such characters potentially complicate Gaskell’s feminist status, seemingly embodying the repressive stereotypes of Victorian femininity. But rather than portraying them as unproductive, ridiculous, and marginal, Gaskell creates characters who directly counter the idea of redundancy. Her spinsters and widows are reformers who catalyze significant social change and redefine the power of elderly, unmarried women against patriarchal paradigms. The shift from redundancy to reform is especially evident in Cranford (1853) and My Lady Ludlow (1858), which cast Miss Matty and Lady Ludlow as influential social figures who not only challenge tradition but reject its intolerance by working to rebuild their communities around a more inclusive model based on morality and relationality.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
