Abstract

On April 16, 1938 Upton Sinclair sent a letter to the editors of the Soviet magazine International Literature, in which he shared the idea of a new novel Red Gold and asked to find him a co-author among Soviet writers. In his letter U. Sinclair gave a detailed synopsis of the novel: the plot was to be based on the story of a young American engineer who in the mid-1920s goes to Siberia to provide Soviet gold mining with the American technology. There on the banks of the river Lena he meets a Russian Bolshevik girl and they fall in love. As an American “bourgeois specialist” he used to believe that capitalism is the most effective social and economic system; his belief, however, was shaken in the course of ideological disputes with his girl-friend, and the Great Depression of the 1930s increased his doubts. Soviet partners proposed Piotr Pavlenko as co-author, and the writers began to exchange letters, discussing their future work and various details of the planned novel. The project was supervised by the Foreign Commission of the Soviet Writers’ Union; its functionaries reported to party and government organs (the Central Committee of the Communist Party, the Peopleʼs Commissariat of Foreign Affairs). Letters signed by Pavlenko were read, edited and approved at several levels of Soviet bureaucracy, from the Writersʼ Union to the Press Department of the Central Party Committee. Thus, Upton Sinclair, in fact, negotiated and argued not just with his co-author, but with a hierarchial administrative body with a strict chain of command. Due to the obvious discrepancy between his own and Soviet attitudes, Sinclair soon decided to abandon the idea of a “collective novel”. The study is based on the materials from the funds of the Russian State Archive of Arts and Literature (RGALI).

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