Abstract

The article describes the experience of reconstructing the logic and process of building an artistic image. Reconstruction includes two stages: analysis of the creation of a specific artistic image and theoretical generalization in order to reach constructions that can be extended to other cases of the construction of artistic images. At the same time, the author in the reconstruction relies on his research of art and his works. In the latter, he examines, on the one hand, the problems that the artist solves, on the other hand, the answer to these problems, which is the construction of events of artistic reality. It is in this context that artistic images are created. Their function is twofold: it is an expressive means, one of the tools for building artistic reality, and at the same time the "bricks" from which the world of artistic reality is created. The characteristics of the image of Sarah from Meir Shalev's novel "Esav", the schemes and expressive means used in its construction are analyzed. The mystery of the impact of an artistic image on the reader is discussed. In the last part of the article, the author compares the artistic image with ideal objects in philosophy and science. He argues that an ideal object does not need to be perceived as an event, it is used in reasoning and cognition, where the main thing is not the vision and experience of a phenomenon, but the constancy, consistency of its properties; and the problems that a philosopher or scientist solves are different.

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