Abstract
In the proposed publication the processes of restoring the historical consciousness of the nation in the context of social and cultural changes of the 1990s-2000s study are researched, as well as the reception of Ukrainian historical memory in contemporary monumental creations. It is emphasized that processes of transformation of historical memory and its visualization are not parallel and synchronous, and as historical memory is formed and modified simultaneously with the evolution of plastic art, the monumental sculpture becomes an active participant in the mythologization of the historical past.
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