Abstract
Not to mince words: everyone seriously interested in Victorian fiction should read the newest books by Elaine Freedgood and Anna Kornbluh—and preferably read them together, as I've read them for this review. Worlds Enough and The Order of Forms mount sharp, polemical, hugely stimulating arguments about the basic categories, form and realism, that structure their topic. A side-by-side reading highlights radical differences between the two in their conception and use of those categories, as well as their shared political commitment to a criticism that reaches beyond tearing down received pieties to elicit alternative ways of imagining and inhabiting what we take to be the real world.
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