Abstract
This paper examines the disintegration of traditional British family values as reflected in Harold Pinter’s play Betrayal (1978). Historical events like the world wars and the Great Depression, along with advancements in technology, have profoundly influenced the Theater of the Absurd by deepening its exploration of existential themes and enhancing its stage capabilities. The devastating effects of wars have deeply impacted the disintegration of society and the fragmentation of the collective spirit, significantly affecting the institution of the family as well. The play vividly portrays the erosion of familial structures, with characters betraying each other in a bid to fill the void left by social upheavals. The paper explores the evolution of British family dynamics from the 1950s onwards. It further conducts a textual analysis of Betrayal, focusing on themes of dysfunctional families, self-betrayal, and communication breakdowns. The paper ultimately argues that the fragmentation of family values depicted in Betrayal mirrors the broader social disintegration post-WWII. The traditional family, once a foundation of stability, is portrayed as increasingly susceptible to internal and external pressures, leading to its eventual collapse. This study provides a critical insight into the transformations of family unit during post-war Britain and their representation in modern drama.
Published Version
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