Rasgos del cine histórico. Reflexión desde el cine colombiano

Abstract

Characterization of historical cinema from a sample of full-length feature films made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the Annales School, and others. In contrast to written history, it must be acknowledged that cinema is not a reconstruction of events, but emotional discourse that communicates that narrated, as well as the filmmaker’s way of conceiving the world and the society in which the cinematography work emerges.