Abstract
Caracterización del cine histórico a partir de una muestra de obras cinematográficas de largometraje hechas en Colombia y mediante acercamientos teóricos a Ricoeur, Rosenstone, la escuela de los annales y otros. Frente a la historia escrita, se aporta que el cine no es reconstrucción de hechos sino discurso emotivo que comunica no solo lo narrado sino la forma de concebir al mundo por parte del realizador y la sociedad en que surge la obra.
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