Abstract
Previously unpublished rock art in Lesotho, southern Africa, is believed to explain the words of Qing — the San (Bushman) man who gave interpretations of paintings in the vicinity. Published in 1874, his testimony, when closely read and compared with other sources, has since become the single most important source for the decipherment of rock art in the sub-continent. One seemingly incomprehensible phrase, though, concerning the famous rain-making depiction at Sehonghong Shelter, Lesotho, has worried scholars for some time. Here, we make a connection that sets Qing's words within the context of the other rock art sites, and the greater cosmology, that he knew. Far from being too young, uninitiated or unfamiliar with the mythology and religion, as this painted site — Rain Snake Shelter — shows, Qing was more than conversant with San cosmology and ritual practice. His testimony is therefore more reliable than was hitherto granted.
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