Abstract
ABSTRACTAt a time when the historical experience of the Rwandan genocide continues to be invoked to imagine and affirm international responsibility for the suffering of others, this article examines one way in which this event has been made to mean. Through a critical reading of Hotel Rwanda (a feature film) and Shake Hands with the Devil (a memoir), the article examines how the Rwandan genocide has been framed as an event of ‘white’ Western racism towards ‘black’ African injury. Without disputing the veracity of this explanatory framework, this article interrogates its representational politics and ethics. I problematise its continued use of inherently discriminatory racial categories, demonstrate its Eurocentric nature and call for a mode of understanding the ethical significance of the Rwandan genocide that is not limited to an already existing global relation between suffering ‘black’ bodies and potential ‘white’ saviours. In critiquing these texts and this discursive framework, my aim is to enable ways of coming to terms with the genocide that can accommodate the complex connections that do and may exist between non-Rwandans and the 1994 Rwandan genocide.
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