Abstract
The Pull Tab Archaeology project (PTA project) was launched in 2018, with the aim of diving straight into the creative, communication-oriented and fluid archaeological experiences of the life world, and of breaking some implicit rules of formal (Dutch) archaeology in the process. As narrowly defined, the project comprises the study of beverage can pull tabs. However, it also has broader significance due to its focus on archaeology as a craft, on archaeological experiences and on Do-It-Yourself (DIY) culture. The project emerged out of Dutch conflict archaeology in cultural resource management, and involved a world-spanning social-media citizen-science project. Over 4700 pull tabs from 37 countries were recorded, and c. 100 pull tab types – or “species” – were found. Drawing on the work of David Gauntlett, the article proposes that experiential DIY archaeological craft creates social capital and can be a modest remedy for our late modern world, which is afflicted by alienation from its environment and by solastalgia. The article proposes that archaeology as a tool for reconnecting is of greater importance for current society than our traditional focus on knowledge production for cultural histories and the vulnerability of heritage.
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