Abstract
Now in a new series, the BBC/NET television productions of Shakespeare's plays have rekindled public interest in the author of the thirty-six dramas being aired over public television during the next several years. In anticipation of the psychobiographies and psychocritiques which are certain to come from the Shakespeare industry, it may be profitable to explore our chances of discovering anything new about the life and mind of the Stratford playwright. We must bear in mind that for biographers to succeed they must marshall private data and public record sufficient to substantiate the events of a
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