Abstract
AbstractEvoking a heady mix of the Cranbrook campus viewed from his window and the liquid viscerality of Hieronymus Bosch's Garden of Earthly Delights, which he was architecturally deconstructing at the time, architect and teacher Hani Rashid recounts his days as a Cranbrook student and the profound influence across the decades of those experiences on the work of his New York practice Asymptote Architecture.
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