Abstract
Books reviewed in this section are:Marcia Hall, Michelangelo: The Frescoes of the Sistine ChapelDiane Bilbey with Marjorie Trusted, British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victorial and Albert MuseumDesiderius Lenz et al., The Aesthetic of Beuron and Other WritingsGino Severini, From Cubism to ClassicismAlbert Gleizes, Painting and its LawsHans Belting, Hieronymus Bosch. Garden of Earthly DelightsPeter Trippi, J W WaterhouseLouise Tythacott, Surrealism and the ExoticLynn Gamwell, Exploring the Invisible Art, Science, and the SpritualRichard Ormond and Elaine Kilmurray, Richard Singer Sargent Portraits of thre 1890s. Complete Paintings Volume IIAdrian W. B. Randolph, Engaging Symbols: Gender, Politics and Public Art in Fifteenth‐Century FlorenceMichael Levey (ed), The Burlington Magazine: A Centenary AnthologyDario Gamboni, Potential Images: Ambiguity and Indeteminancy in Modern ArtAmelia Jones, Feminism and Visual Culture ReaderNicholas Mirzoeff, The Visual Culture Reader, Second EditionPavel Florensky, Beyond Vision. Essays on the Perception of ArtOliver Grau, Virtual Art: From Illusion to ImmersionMarjorie Susan Venit, Monumental Tombs of Ancient Alexandria: The Theater of the DeadEdward Lucie‐Smith, American RealismSuzanne L. Stratton‐Pruitt (ed), Velazquez's Las Meninas
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