Abstract

The Iberian Mediterranean Basin is home to one of the largest groups of prehistoric rock art sites in Europe. Despite the cultural relevance of prehistoric Spanish Levantine rock art, pigment composition remains partially unknown, and the nature of the binders used for painting has yet to be disclosed. In this work, we present the first omic analysis applied to one of the flagship Levantine rock art sites: the Valltorta ravine (Castellón, Spain). We used high-throughput sequencing to provide the first description of the bacterial communities colonizing the rock art patina, which proved to be dominated by Firmicutes species and might have a protective effect on the paintings. Proteomic analysis was also performed on rock art microsamples in order to determine the organic binders present in Levantine prehistoric rock art pigments. This information could shed light on the controversial dating of this UNESCO Cultural Heritage, and contribute to defining the chrono-cultural framework of the societies responsible for these paintings.

Highlights

  • Spanish Levantine rock art is a unique pictorial expression in Prehistoric Europe due to the naturalism of depictions, the narrative component of scenes, and the vast distribution of rock-art shelters in the Iberian Mediterranean basin (Fig. 1a,b)

  • In order to shed light on the composition and elaboration process of Levantine pigments, as well as on the variables involved in their stability and preservation, we present the first omic analysis of Levantine rock art

  • Additional characterization by Raman Spectroscopy has been performed on CSV-01 and CSV-02 microsamples, identifying the presence of hematite in the red pigment and a surface patina covering the motif itself, composed of oxalates, calcium carbonates or calcium sulphates (Supplementary Fig. S1). Both the culture-independent microbial characterization and the proteomic strategies described in this work are unprecedented in studies of prehistoric rock art

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Summary

Introduction

Spanish Levantine rock art is a unique pictorial expression in Prehistoric Europe due to the naturalism of depictions, the narrative component of scenes, and the vast distribution of rock-art shelters in the Iberian Mediterranean basin (Fig. 1a,b). Most archaeological research has focused on the characterization of raw materials, rather than the technical processes involved in executing the paintings. This approach is justified by the assumption that Levantine pigments were simple solutions/suspensions rather than complex mixtures, since components such as proteins or lipids, which could act as binders in mixtures, had not been detected at that point. In order to improve the characterization of Levantine pigment composition we need a better understanding of the microbial communities associated to the rock art patina to assess their putative role in the preservation of the raw materials and binders used. Despite the important implications of microorganisms on rock art conservation, the high-throughput analysis of microbial communities associated to prehistoric rock art has not been reported to date, despite the impressive development of metagenomic sequencing techniques

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