Abstract

Polish Film Chronicle was a party medium which, over the last 50 years of activity, was supposed to perform propaganda, cognitive and ludistic functions. Controlled by censorship institutions, it was using various manipulative measures aimed at the appropriate transfer of information or coverage of political, social, sports and cultural events. The use of various types of linguistic persuasion mechanisms, the selection of an appropriate, emotionally marked vocabulary, suggestive portrayal of objects or events or the use of directives are just some of the means taken by the editorial team of the Chronicle. All this to cope with the task of combining contained in the circulars with the instructions of censorship guidelines, and at the same time making the reception of their film magazine for the average viewer something pleasant, useful and educating. The aim of the article is to show the process of intensifying or easing the propaganda mechanisms in the implementation of the Polish Film Chronicle, as well as to indicate what measures taken by the editorial team in creating the Chronicle were intended to influence the viewer’s perception

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