Abstract
This article examines Martin Luther's opinions on popular drama, in particular his views on Carnival plays, Corpus Christi plays, and Passion-tide performances. A consideration of key works by the Lutheran playwright, Joachim Greff (1510-1552), provides an insight into the development of Lutheran biblical drama from its beginnings. It accordingly challenges the consensus that Luther objected to, and actively prevented, the performances of Protestant dramatizations in Reformation Germany of Christ's Passion and the Resurrection.
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