Abstract
In this article, on the basis of the method of comparative analysis, the author examines the phenomenon of piano interpretation, touching upon the issues of performing interpretation using examples of the treatment of F. Chopin’s Ballad No.1 by three of the greatest contemporary pianists – A. Rubinstein, K. Zimerman and S. Neuhaus. The variability of perception of this work in their interpretations once again raises the problem of objectivity and subjectivity of performance, the degree of freedom of the performer. The interpretative and stylistic contrast of interpretation presented in the work allows us to consider some of the features of the evolution of piano traditions in the 20th century.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Studiul artelor şi culturologie: istorie, teorie, practică
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
