Prison and sacrament in the cult of saints: images of St Barbara in late medieval art

Abstract

This article analyses the changing visual representation of St Barbara during the later middle ages. The article identifies a shift in St Barbara's iconography: whereas earlier medieval representations of the saint almost always show her with her prison tower, a number of fifteenth-century representations show the saint holding a chalice and host. The article traces how and why this shift occurred. In particular, the article explores the ways in which medieval thinking linking incarceration and liberation were integrated into new representations of St Barbara to stress her intercessionary, sacramental functions. Overall, the article argues that the visual transformation of St Barbara's prison tower into a liturgical vessel reveals how saints like Barbara were increasingly viewed as conduits to the inclusive sort of freedom that participation in Christianity's sacramental economy invited.