Abstract
Contents: The meanings of nudity in medieval art: an introduction, Sherry C.M. Lindquist The survival and reception of the classical nude: Venus in the Middle Ages, Jane C. Long Male nudes and embodied spirituality in Romanesque sculpture, Kirk Ambrose The naked jongleur in the margins: manuscript contexts for social meanings, Elizabeth Moore Hunt A son's gaze on Noah: case or cause of viriliphobia?, Madeleine H. Caviness Uncovering the meanings of nudity in the Belles Heures of Jean, Duke of Berry, Martha Easton Pubics and privates: body hair in late medieval art, Penny Howell Jolly Nudity as natural garment: seeing through Adam and Eve's skin, Linda Seidel Integritas, proportio and claritas: the body in Tuscan representations of Baptism 1300a 1450, VA(c)ronique Dalmasso Christ bared: problems of viewing and powers of exposing, Corine Schleif Sin or sexual pleasure? A little-known nude bather in a Flemish Book of Hours, Diane Wolfthal Reconsidering the nude: Northern tradition and Venetian innovation, Paula Nuttall Epilogue, Madeline H. Caviness Indexes.
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