Abstract
In this study, rose oil was encapsulated with stearic acid substituted polyvinyl alcohol macromolecule. In the first part of the study, stearic acid substituted polyvinyl alcohol macromolecule was synthesized and its chemical structure was elucidated by ATR-FTIR and ¹HNMR. Then, rose oil was encapsulated using this obtained polymer. The chemical structure of the obtained capsules was made by ATR-FTIR, and dimensional analysis was done by scanning electron microscope (SEM). After the obtained capsules, a paper coating formula was prepared and coated on 80 g/m² paper. The resulting scented papers were printed using the screen printing technique. The color, gloss, and deformation of the capsules on the surface of the printed and unprinted papers were determined by spectrophotometer, glossmeter and SEM. As a result, it was determined that the synthesized polymer could encapsulate the rose oil and the papers using these capsules could be printed without deformation.
Highlights
By the end of the nineteenth century, historicism had reached a major impasse and it was supported only by academic and traditionalist circles of the intellectuals and artists
From previous research (Dumitrescu, 2003; Dumitrescu, 2011), whether people chose the shape-colour association that seemed most appropriate to them or they gave grades on a Likert scale to the appropriateness of figure-colour associations, it was observed that the highest values for associations were obtained for the red circle and the yellow circle; the yellow triangle and the red triangle and, respectively, the blue square and the red square
The first experiment aimed at identifying a saturated colour at an intermediate position between the primary colours to be associated with elementary geometric figures
Summary
By the end of the nineteenth century, historicism had reached a major impasse and it was supported only by academic and traditionalist circles of the intellectuals and artists. In the decades that followed, a diverse group of intellectuals, artists, designers, and others (gathered under the generic name of modernists) campaigned for a revolutionary change in several fields, including that of visual language. Modernists wanted to discover the intrinsic meanings of the elements of visual language, meanings that would be valid for any human being, regardless of the culture to which she/he belonged. In addition to the endeavour to suppress historicism, the modernists wanted to impose a new aesthetic, built on rational grounds. The association between geometric figures and colours became the subject of theoretical speculation
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