Abstract

The aim of the article is to analyse the function of the list in the works of Georges Perec, a French writer of the second half of the twentieth century. Writing by enumeration was one of the most important literary strategies practiced by the author and it took various forms depending on the specific text. Enumeration in Perec’s work can thus be perceived as a mnemontechnical tool, thanks to which it becomes a way to force one's memory to remember what is forgotten. This mne-motechnical aspect will be particularly important in the literary project called Lieux où j’ai dormi. Simultaneously, the creation of literary lists and enumerations can be linked to author’s need to control his surrounding reality. From this perspective, the list gives the illusion of double control. On the one hand, it fights the obliteration of traces of the past, and on the other, by recording even the most trivial elements of the reality, it seems to be a way to consolidate it.

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