Abstract
In the article, the aspects and types of such stylistic device as foregrounding are investigated in the short stories of contemporary American writers. The quantitative aspect of foregrounding prevails in flash fiction stories which is realized by means of stylistic convergence and parallelism. Convergences are mainly used in strong positions, especially in the endings, as in the stories by J. Updike, D. Galef, D.Eggers. The qualitative aspect of foregrounding is expressed with the help of tropes such as metaphor, simile and oxymoron which are also present in strong positions – titles, beginnings, endings (the stories by G. Paley, D. Galef, J. Updike). The idea of tolerance, sympathy, understanding is dominant in many flash fiction stories. Foregrounding, especially in the strong positions of the stories, emphasizes this idea, thus producing a strong pragmatic, emotional effect. Due to such device in the endings many flash fiction stories can be called modern parables of life, love, justice.
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