Abstract
The media are forced to respond to changes in the information consumption patterns. Among these reactions are the increasing media content visualization and its robotization. These journalistic trends are consistent with post humanistic trends in journalism. The author of the article sets the task of observing the influence of post-humanism on the formation of media content, and on the formation of its aesthetic meaning. This is the relevance of the present study. The article presents a comprehensive study of three modern phenomena: post-humanism, the visual language of mass communication (infographic) and media aesthetics. This is the novelty of the present study. The theoretical and methodological base of the study is composed of scientific papers classified in four groups. The performed literature review of Russian-language and English-language sources on the research topic reflects the degree of knowledge of each individual phenomenon and confirms the lack of a comprehensive study of the claimed topic. The present study discusses the distinctive features of posthumanism, formulates its trends in journalism, and considers infographics – a tool of visualizing journalistic content – as the most prominent representative of the media content of the posthumanism era. A specific example presents the media aesthetic potential of infographics at the present stage in the mankind life of, which is posthumanism.
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