Abstract
This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.
Highlights
The use of porch in the pre-Islamic history of Iranian architecture trace back to pre-Islam
In this study three questions that would be answered in the review process is considered: First, in painting during Safavi period, porch and balcony are portrayed which emerged in parts of buildings and what role they had in the urban landscape? Porch and balcony were in what order, and it has been used for what purpose? Did the painter have pictures in implementing porch and balcony on lighting? More balconies were seen on the upper floors but porch and verandas were found on the ground floor and basement the picture of the urban landscape or architectural space has a certain beauty to the home and the importance of this space in architecture
Material that has been used on the porch are lightweight materials such as wood because porch and balcony as an additional space has been visible in the painting, especially the balcony made by wood and in most of them is decorated with drawings on wood and the porch columns and column headers, the wood and the stone pedestal in the form of pot and the terrace is in the yard and a little height on the columns of porch and porch is the original space where the materials are used in the building for the terrace
Summary
The use of porch in the pre-Islamic history of Iranian architecture trace back to pre-Islam. Other types of painting it existed before but it flourished again after the Safavi era, in this study painting are considered the architecture and it is depicted in it. In this study three questions that would be answered in the review process is considered: First, in painting during Safavi period, porch and balcony are portrayed which emerged in parts of buildings and what role they had in the urban landscape? More balconies were seen on the upper floors but porch and verandas were found on the ground floor and basement the picture of the urban landscape or architectural space has a certain beauty to the home and the importance of this space in architecture. Mohammad Ebrahim Zarei and Fereshteh Sharifi: Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. About the architecture in painting,research has been done Including most notably, how to understand the architectural space of the Persian painting (Foroutan, 2009) architectural language Persian painting (Foroutan, 2010) architectural and urban spaces in Iranian painting (Soltanzadeh, 1999) can be cited
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