Abstract
This article analyzes the significance of the place in Kyiv where the statue of Lenin stood before it was toppled during the Euromaidan protests. Following the monument’s demolition, many works of art have been successively exhibited on this site. Drawing on Bakhtin’s concept of the carnival sense of the world, the article suggests that these sculptures, installations, and performances have demonstrated the permanent carnivalesque potential of the place. Moreover, as different representations of Ukrainian memory and identity, these works of art have created a polyphony of voices about the Ukrainian past, present, and future. The research explains the significance of this phenomenon for the Ukrainian society.
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