Representation of Memory in Design for Humanity

Abstract

Artists often visualize their inner feelings or spiritual levels through works of art. In this way, the concrete expression of inner feelings marks the process from abstraction to substantialization. The delivery and expression process of these works of art can be described in the saying of famous Scottish philosopher, David Hume that all the perceptions of human thought break down itself into two different things, which are so-called impressions and ideas. Hume’s theory is used to verify how works of art are transformed by the transition of impressions and concepts to achieve emotional exchanges between artists and audiences. The mode of communication among an artist, a curator and an audience is that the artist transforms his idea into an authoring model through an inner transformation and presents works through the aesthetic external form. Through the curator’s interpretation, the audience comes to know how to appreciate the artwork [3]. In this study, we used nine series of gazing paintings to explore the extent to which artists want to express their messages and audience receives the messages. A total of 291 subjects were asked to learn about the images and semantic meanings and the middle school students’ art appreciation theory quality and effective art teaching are expected to be improved to achieve the social function of cultural and creative industry development policy through questionnaire of the matching degree of the work and the name of the work.