Abstract

The development of Slovenian poetry after 1950 can be understood as a process of prosaisation and aesthetic inversion, and the writing of poetry in free verse as poetry in prose. Since many literary historians attribute the invention of free verse to Walt Whitman, the paper strives to research on what creative principles the American poet has founded his collection Leaves of Grass . Many contemporary American poets consider themselves to be Whitman’s successors, and the paper explores how the beatnik Lawrence Ferlinghetti understands this notion. In the first half of the twentieth century, Walt Whitman has influenced Oton Župancic and Anton Podbevsek, and in the second half until today, directly through the translations of his poetry in Slovenian language and indirectly through beat poets, many contemporary Slovenian authors. That is why, considering also other influences, the development of free verse in Slovenia can be partly perceived as the continuation of Whitman’s tradition. The paper examines the creative solutions found by Andrej Brvar, Esad Babacic, and Uros Zupan.

Highlights

  • Ključne besede: sodobna slovenska poezija / ameriška poezija / literarni vplivi / prosti verz / poezija v prozi / Whitman, Walt / Brvar, Andrej / Babačić, Esad / Zupan, Uroš

  • Zato lahko v določeni meri in ob upoštevanju drugih vplivov tudi na razvoj prostega verza pri nas gledamo kot na nadaljevanje Whitmanove tradicije

  • Tudi ko govori o čustvih in razmišljanjih, spaja to, kar bi se za klasično ljubezensko ali refleksivno poezijo zdelo nespojljivo, v pesmi »Hölderlinski stolp« na primer čakanje na svojo drago, gledanje nogometa na televiziji in razmišljanje o esejih Marjana Rožanca

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Summary

Introduction

Ključne besede: sodobna slovenska poezija / ameriška poezija / literarni vplivi / prosti verz / poezija v prozi / Whitman, Walt / Brvar, Andrej / Babačić, Esad / Zupan, Uroš. Kakšne ustvarjalne rešitve so v prostem verzu našli Andrej Brvar, Esad Babačić in Uroš Zupan.

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